Argent — 2010 Oil
Argent — 2010 Oil
Brother, Sister Put Down the Blade:  cease FGM now,  2016
Brother, Sister Put Down the Blade:  cease FGM now, 2016
The Crack is How the Light Gets In, 2016, Angela Tirrell.
The Crack is How the Light Gets In, 2016, Angela Tirrell.
Cerisia, Angela Tirrell, 2014
Cerisia, Angela Tirrell, 2014
Dark Eclipse, 2017, Angela Tirrell
Dark Eclipse, 2017, Angela Tirrell
Evening — 2000
Evening — 2000
Illumination — 2002
Illumination — 2002
Fleurage: Le Ble D’hiver, 2016
Fleurage: Le Ble D’hiver, 2016
Illumine — 2003
Illumine — 2003
Night — 1997
Night — 1997
Argent — 2010 Oil
Argent — 2010 Oilsilica, pastel & metallic powders on canvas 48" x 65.Private collection Hawkes Bay, New Zealand: Collaboration Wines LabelThe beauty of vineyards after heavy rainfall, when the pendant fruit is luminous in the late afternoon light.
Brother, Sister Put Down the Blade:  cease FGM now,  2016
Brother, Sister Put Down the Blade:  cease FGM now, 2016Brother, Sister Put Down the Blade:  cease FGM now, Angela Tirrell, 2016.  Oil, metallic and pigment powders, charcoal, mirror, razor blade, moss, wood on panel, 24 3/4" x 48”.    
The Crack is How the Light Gets In, 2016, Angela Tirrell.
The Crack is How the Light Gets In, 2016, Angela Tirrell. Acrylic, pastel, metallic and pigment powders, ink, iridescent beetle carapace, 45 3/4” x 46 3/4. Private Collection, Napa, California.
Cerisia, Angela Tirrell, 2014
Cerisia, Angela Tirrell, 2014Oil, pastel, glass, BB gun pellets, ink and metallic powders on panel, 45" x 46”. Image for a wine label.
Dark Eclipse, 2017, Angela Tirrell
Dark Eclipse, 2017, Angela TirrellAcrylic, pigment and metallic powders, pyrite on panel. 33” x 33“.                  $3,800
Evening — 2000
Evening — 2000 Oil, pastel & silica on canvas 48" x 60". Private collection Napa, California
Illumination — 2002
Illumination — 2002 Mixed media (oil, metallic powders silica, automotive glass & mirror shards) 49" x 73". Private collection Menlo Park, California
Fleurage: Le Ble D’hiver, 2016
Fleurage: Le Ble D’hiver, 2016 Oil, charcoal powder, oil pastel, black iridescent glass, ink and bronze powder on panel, 31” x 40”. A very recent commission for a Chef, a baker, who stipulated: "use red and black to create my piece!" The title and piece speaks of the casting of flour (winter wheat flour) on the bread board prior to rolling out the dough. The artist envisioned the interior of the bread oven, where the baker’s art is lifted to a daily masterpiece. This painting ismore in line with the tradition of romantic, atmospheric landscape, but a a romantic, swirling firescape.
Illumine — 2003
Illumine — 2003 Acrylic & metallic powders on canvas 72" x 84". Private collection Vacaville, California
Night — 1997
Night — 1997 Monotype, ink & pastel on paper 13" x 16".Private collection Napa, California
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